So it is October now, which means November is coming. That is, National Novel Writing Month (nanowrimo), my favorite time of year.
I love nanowrimo because it celebrates process, not outcomes. I know there are people who believe life is a zero-sum experience, but nanowrimo lets us all be winners. Heaven knows anyone who wants to write needs that.
I suspect I will be a hybrid nano writer this November. I love the traditional goal of writing a first draft of a brand new novel in the month of November because that is always be my favorite part of the writing process. But I am already in the middle of fleshing out a YA SF novel that has a few scenes written, but lots of holes and notes where the rest of the novel should be. So my goal will be to work on it, which makes me more of a rebel Nano then a traditional Nano, which means… not much. The key is to write.
I will probably talk more about Nano prep this month, but today I want to brag about two good moments in writing I experienced recently, when I felt like, well, a writer :).
Earlier in the month I was spending more time on the YA SF novel that will be my focus for November. I had several days of good writing sessions, but I woke one morning with a sense of dread, fearful that I would not be able to produce anything new. Usually I already have some momentum in my writing, but this time, I knew I had to find a new plot line and address some other challenges with this novel, and I had nothing yet.
But I made myself sit down to write anyway, and it turned out to be a highly productive writing session yielding unexpected and exciting insights into what could happen in this novel.
That was cool.
The second moment has to do with my historical/upmarket novel set during the 1898 Wilmington Race Riot in Wilmington, North Carolina. After countless revisions, I had announced this novel “done,” but in my research into how I might pitch it to an agent, I discovered that I had cut too much, and the total word count might not be enough.
So this month I went in and added 8,000 words.
It was a surprisingly positive experience. First, even though I could be forgiven for being a bit burned out on this novel after so long, I found myself happy to spend time again with some of my main characters. It coincided, fortunately, with feedback from a brilliant writer friend who mentioned one scene was a bit lean (it’s plumper now). I also added a new scene that had been percolating in my head earlier in the process that added some substance to a side character and may make more visible the wealth-stripping aspects of this terrible history. Finally, I surfed through various scenes to see if what might bring it more to life for the reader. At times, I felt like an artist adding extra depth and shading to a portrait.
So that was cool. Not only did it help me manage what I call my revision anxiety, but also the experience gave me more confidence that I really can make unexpected revisions if an editor were to request it.
Just like a writer would.